"Give a Little Bit" really hits home here in Berkeley during finals prep
Thanks to its synth pad, "Let Me Touch Your Fire" narratively leans into its title
"Waterloo Sunset" examines a complex case of escapism
"Everybody Wants to Rule the World": Happy? Sad? Both?
On the calm disco-like indie pop of "Sit Next to Me"
"Elastic Heart," a story of not losing oneself after heartbreak
'Innovative' doesn't even begin to describe "I'm Not In Love"
"In Your Eyes" reflects Peter Gabriel's deep understanding of his lyrics
"Toxic," the most unique pop song of this century
From Adele to her son and within herself, "My Little Love" presents a grappling with divorce
This is a "Land of Confusion," but we have the power to change that
The three-part artistic origin of "50 Ways to Say Goodbye"
The 10-minute version of "All Too Well" is a pop magnum opus
"Come and Get Your Love," a premier Native American success story in the music world
"Fantasy" is mid-90s pop bliss with an early 80s new wave skeleton
"Kill This Love": what a sound, and what a title
Yes, I wrote a serious article about "The Safety Dance"
"Love is the Drug," and I'm writing about it again...
"People, I've been sad" perfectly captures how the world has been as of late...
"Smoke from a Distant Fire," a polished, way-too-catchy master class in figurative lyrics