"Disco 2000" speaks beyond its titular year
- Mar 30, 2022
- 4 min
"Carry On Wayward Son": mega-hit motivation
- Mar 29, 2022
- 3 min
"Hail to the King" has always wowed me... and now it also makes me think
- Mar 28, 2022
- 3 min
"Interstate Love Song": a familiar riff leads to introspection
- Mar 25, 2022
- 4 min
"Learn to Fly" takes on extra weight in the wake of Taylor Hawkins' death
- Mar 23, 2022
- 3 min
"Evil Ways": the birth of Latin cool
- Mar 19, 2022
- 4 min
"(Don't Fear) The Reaper" is more than a meme
- Mar 18, 2022
- 3 min
Tracking my changing relationship with "Hearts Burst Into Fire"
- Mar 15, 2022
- 3 min
"Bulls on Parade" is timeless for the unsavory truths it tells
- Mar 14, 2022
- 3 min
I needed the calmness of "Black Water" tonight
- Mar 13, 2022
- 4 min
"It Gets Dark" is a welcome new release in multiple ways
- Mar 6, 2022
- 3 min
"Dead Leaves and the Dirty Ground" is my top pick from the 2000s garage revival
- Mar 5, 2022
- 4 min
"Mrs. Robinson": not (just) a film song
- Mar 4, 2022
- 3 min
"Wild" is yet another success from Spoon
- Feb 28, 2022
- 5 min
Confronting my past through "This Is Gospel"
- Feb 25, 2022
- 3 min
"Message in a Bottle": togetherness... in loneliness?
- Feb 24, 2022
- 5 min
"The Catalyst" describes how I feel given current events in Ukraine
- Feb 21, 2022
- 3 min
"Undun," the Guess Who's jazzy warning against acid
- Feb 19, 2022
- 5 min
"Toxicity" exhibits masterful mediation of contrast
- Feb 13, 2022
- 4 min
Diving into "21st Century Schizoid Man" in memory of Ian McDonald
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