The contained emotion of "How Long"
- Apr 4, 2022
- 3 min
"I'll Never Fall in Love Again" is Bacharach and David at their collaborative best
- Apr 3, 2022
- 4 min
"Love It If We Made It": a single point of light in the darkness of modernity
- Apr 2, 2022
- 3 min
"Disco 2000" speaks beyond its titular year
- Apr 1, 2022
- 3 min
"Never Gonna Give You Up": the perfect song for a worldwide day of pranks
- Mar 31, 2022
- 3 min
"Galvanize" both pumps me up and gets me dancing
- Mar 30, 2022
- 4 min
"Carry On Wayward Son": mega-hit motivation
- Mar 29, 2022
- 3 min
"Hail to the King" has always wowed me... and now it also makes me think
- Mar 28, 2022
- 3 min
"Interstate Love Song": a familiar riff leads to introspection
- Mar 27, 2022
- 3 min
"Where is the Love": seventies soul done right
- Mar 26, 2022
- 3 min
"Papercut": when I realized there was more to electronic music
- Mar 25, 2022
- 4 min
"Learn to Fly" takes on extra weight in the wake of Taylor Hawkins' death
- Mar 24, 2022
- 3 min
"Time in a Bottle" and the ephemerality of life
- Mar 23, 2022
- 3 min
"Evil Ways": the birth of Latin cool
- Mar 22, 2022
- 3 min
OneRepublic's original cut of "Apologize" remains a sentimental favorite
- Mar 21, 2022
- 3 min
"Tainted Love": a cover that defined the 80s sound
- Mar 20, 2022
- 4 min
"Enjoy the Silence": fitting music for an ironic title
- Mar 19, 2022
- 4 min
"(Don't Fear) The Reaper" is more than a meme
- Mar 18, 2022
- 3 min
Tracking my changing relationship with "Hearts Burst Into Fire"
- Mar 17, 2022
- 3 min
What is the apocalypse in "Dance Apocalyptic"?
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