"Hail to the King" has always wowed me... and now it also makes me think
- Mar 28, 2022
- 3 min
"Interstate Love Song": a familiar riff leads to introspection
- Mar 25, 2022
- 4 min
"Learn to Fly" takes on extra weight in the wake of Taylor Hawkins' death
- Mar 24, 2022
- 3 min
"Time in a Bottle" and the ephemerality of life
- Mar 23, 2022
- 3 min
"Evil Ways": the birth of Latin cool
- Mar 22, 2022
- 3 min
OneRepublic's original cut of "Apologize" remains a sentimental favorite
- Mar 19, 2022
- 4 min
"(Don't Fear) The Reaper" is more than a meme
- Mar 18, 2022
- 3 min
Tracking my changing relationship with "Hearts Burst Into Fire"
- Mar 16, 2022
- 4 min
"B.O.B": misunderstood frantic goodness
- Mar 15, 2022
- 3 min
"Bulls on Parade" is timeless for the unsavory truths it tells
- Mar 13, 2022
- 4 min
"It Gets Dark" is a welcome new release in multiple ways
- Mar 11, 2022
- 3 min
"She Wants to Move": Hard for me to define, easy for me to love
- Mar 6, 2022
- 3 min
"Dead Leaves and the Dirty Ground" is my top pick from the 2000s garage revival
- Mar 4, 2022
- 3 min
"Wild" is yet another success from Spoon
- Feb 27, 2022
- 3 min
"I'm So Excited" has a lot going on under its surface
- Feb 22, 2022
- 3 min
"Ain't No Sunshine" is a clinic in musical succinctness
- Feb 21, 2022
- 3 min
"Undun," the Guess Who's jazzy warning against acid
- Feb 19, 2022
- 5 min
"Toxicity" exhibits masterful mediation of contrast
- Feb 16, 2022
- 4 min
On "Dirt," Keane are true to themselves as they decry an all-too-familiar conflict
- Feb 15, 2022
- 3 min
"Strawberry Letter 23" fits today's date